Licensing Contributor Jelle Canipel talks panorama images and exhibiting his work alongside Michiel Pieters and Joris Put

Posted On Aug 23, 2019 By admin With Comments Off

Licensing Contributor Jelle Canipel is a Belgian countryside and adventure photographer who connected with two other 500 px Photographers–Michiel Pieters and Joris Put–to create an exhibition that mixed elements of their heritage and photography, culminating in an interactive event for their neighbourhood community.

Q: You have been on the programme for a number of years now, when did you first begin uploading your epitomes and what inspired you to submit your first image to Licensing?

A: In the beginning, as a starting photographer, you crave as much feedback on your work as possible. You want people to see your work and give advice on what they like or don’t like. It is very useful to gather all this feedback for your next photo. A programme like 500 px renders immense reviews and too allows you to see other creation that are in a position invigorate you.

Submitting for Licensing is the real work–getting the opportunity to sell your work. I believe every photographer wants to get to the point where people like their work and want to buy it. If you are commercially focused, it is worth saving money for photo jaunts and camera gear.

Q: You incorporate a lot of softer tints in your terrains. How do you develop your personas to achieve this overall look?

If you don't go, you'll never know. by Jelle Canipel on 500px.com

A: I’ve organized my own presets in Lightroom, which I mainly use for my photos.[ The presets that I use] depend on the type of photography–my wedding presets are different from the ones I have created for my outdoor or terrain photography.

I like the softer feelings and not the hard tones. Most of all, I love adjusting a depression in my photos with light-colored. Light can make a photo feel bright, and darker flavors can change the climate. The setting and mood are important in a photo.

Q: Your portfolio is very consistent, inclining toward dramatic landscapes and an adventurous aesthetic. What entices you to capture this type of content?

Ilhéu de Vila Franca do Campo by Jelle Canipel on 500px.com

A: Traveling and outdoor adventures are my main excitements. I’ve been traveling for many years with my spouse, friends, and kids. I adore traveling in the mountains, to have that know-how and capture it without botching the moment is so special because catch the photo does not interfere with traveling.

I like to seek little adventures like hiking via ferrata’s( protected descending roadways ), climbing a little, or tenting and sleeping outside. Cozy moments in mountains shanties are great. I find my resentment through telling these legends in my photography, trying to capture instants and motivate others.

I like a sulky situation, so I find the regions that have that vibe. I too got my own little walk fellowship to help people travel.

Q: What is your favorite destination you have traveled to? What are some things you would recommend identifying there?

A: Oh, that is a hard question and difficult to answer. I’m in love with the Balkan countries like Bosnia, Croatia, Montenegro, and Slovenia. I adore these regions for the natural landscapes and activities you can do, as well as the people.

I likewise like to travel to Asian countries like Vietnam, Cambodia, and Thailand because of their culture, and their landscapes.

For moody parts, I adore like the Scandinavian countries. Norway, the Farmer Islands, Iceland, and Scotland are great for these darker-toned likeness.

If you are looking for epic mountains, Austria, Italy, Slovenia, Nepal, and the Andes in Peru are where you need to go.

And for bigger wildlife and jungle undertakings, the Amazon and Peru are great sits to travel to.

I think if other photographers “re looking for” similar adventures, these countries would be really great to visit, however, many other countries will be able to offer other astonishing opportunities. I would love to visit Namibia or Botswana for the nature and wildlife you can find there.

Q: What are the top five items you returning with you when exploring a new destination to photograph? Why do you adore them?

Mountain reflection. by Jelle Canipel on 500px.com

A: It depends on the kind of photography trip.

For an easy access point, you don’t have to pack light:- Camera bag- Camera and all the lenses- Drone- Peak Design clip( for easy access to the camera)- Tripod

For a more challenging location I would recommend to try and pack light:- Trekking bag+ a map of states in the region- Camera with one 24 -7 0mm lens and 16 -3 5mm wide-angle- Raincoat for me and the camera- Small menu- Peak Design clip( for easy access to the camera)

Q: This outpouring, you and two other 500 px photographers, Michiel Pieters and Joris Put, organized an exhibition and talk on landscape photography located along an old-time mine in Belgium. What engendered the three of you to come together and procreate this picture?

Sunset on fire. by Jelle Canipel on 500px.com

Matterhorn by Michiel Pieters on 500px.com

Chillmode on at Lac Blanc by joris put on 500px.com

A: We have worked together several times and have done some big excursions together. Joris and I clamber often in the pit build, which is beautifully redesigned as a rise hall.

We came up with the idea of the exhibition because we wanted to organize something for a neighbourhood gathering from our hometown. Nowadays, most photos are exclusively shared via social media, so we thought it would be fun to exhibit ours and make it ” tangible .” In this route, a photo speaks much more.

Q: What are some of the key points you shall be included in your talk?

A: Most of the topics were about how we started with photography and what the hell is like “the worlds largest” about it. We discussed how we work together and spur one another. We likewise clothed some of our favorite shootings and told the story behind them.

In the end, we presented some gratuities and stunts. It was not extremely technical, so the audience was able to take something away from the talk, regardless of its own experience level.

Q: Why did you choose to show your work in an old excavation? Is there important behind this pick, and how did it enhance the visual knowledge when examining your imagery?

A: There were various reasons for this. First of all, the point of the rise residence fits perfectly with the outdoor places and the mountains that were featured in the appearance, so the genre of photography would feel at home.

Joris and Michiel’s grandpas, plus many other homes, have been previously acted in the quarries. It was good to see our photos hanging among those impressive machines and the history it holds for us as well as the location.

Another reason is the fact that we all come from the town of Beringen and wanted to exhibit somewhere neighbourhood.

Finally, “youve had” the TRiS collective that not only stands for( The Road Is Smiling ), and Tri as in Three, but too for the TRiS dialect word, which necessitates mine-hill and shapes perfectly with the mine constructs. It was not a clean white background exhibition, but a little rougher and the audience had to follow a itinerary through the aged structure and machine. There was an element of search, disclosure, and undertaking as well as symbolism in this location.

Q: What would you say was the highlight of this exhibit?

A: The highlight for me was being able to share our narration with the amount of people who called the presentation and the expo. There was a big audience, and everyone was really excited. So that was very pleasant to see and hear.

Q: As a photographer, having the flexibility to promote, sell, and exhibit your work through various channels is essential. The portraits you featured in the exhibition are also available in your Licensing Collection, furnishing an added opportunity for sales and revelation. How would you hearten other photographers to give Licensing a try?

A: I think it is a great way to get your work spotlit and cure others who need your work. Also, it is a way to see which type of work is best to sell and it can improve your view on licensed work.

Learn more about Licensing your work here.

The post Licensing Contributor Jelle Canipel talks landscape photography and exhibiting his labour alongside Michiel Pieters and Joris Put appeared first on 500px Blog.