![\"CANADA](\"http:\/\/farm3.staticflickr.com\/2179\/3529288126_4b29e68501.jpg\")
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UPDATED<\/b>: 02.12.2010<\/p>\n
Wallpaper 1920×1200<\/a> created with Patrick Griffins (Canada Type) revival, repair and expansion of Thomas Hollingworth\u2019s \u00bbInformal Gothic\u00ab, the fashionable, square \u00bbSocial Gothic<\/a>\u00ab.<\/p>\n Social Gothic<\/b> is a unicase font that successfully achieves a hand-made look by combining standard sans serif type elements with some \u201cchiseled\u201d wooden shapes and friendly rounded lowercase components. The totality of the face is clean, legible, with an impact that is quite conservative and easy on the eyes, even almost humanist, in spite of the individual standard forms used.<\/i><\/p>\n Second typeface in use:<\/p>\n Fulvio Bisca\u2019s elegant, experimental, semi serif typeface \u00bbCutoff Pro<\/a>\u00ab.<\/p>\n Cutoff Pro<\/b> Posted<\/a> by arnoKath <\/a> on 2009-05-13 19:30:07 <\/p>\n [shock_spots id=”2726″] Tagged: , type , typeface , typo , typography , font , wallpaper , canadatype , socialgothic , social , gothic , colour , color , black , white , typographie , tipografia , glyph , beautiful , typografie , typespecimen , typedesigner , typedesign , specimen , poster , oneletter , logotype , logo , letters , lettering , letterforms , illustration , graphicdesign , graphic , extravagant , experimental , design , colorful , artwork , art , widescreen , striking , patrickgriffin , letter , minimalist , gorgeous , classic , blackwhite , plakativ , vector , vintage , fashionable , voguish , typographicgrid , stylish , racism , sensible , initial , deco , fontsinuse social gothic , fontsinuse cutoff pro , cutoff pro , Fulvio Bisca , type:typeface=Social Gothic , type:typeface=Cutoff Pro <\/p>\n","protected":false},"excerpt":{"rendered":" UPDATED: 02.12.2010 Wallpaper 1920×1200 created with Patrick Griffins (Canada Type) revival, repair and expansion of Thomas Hollingworth\u2019s \u00bbInformal Gothic\u00ab, the fashionable, square \u00bbSocial Gothic\u00ab. Social […]<\/p>\n","protected":false},"author":68,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4693","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/www.etrafficlane.com\/60dollarmiracle\/wp-json\/wp\/v2\/posts\/4693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.etrafficlane.com\/60dollarmiracle\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.etrafficlane.com\/60dollarmiracle\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.etrafficlane.com\/60dollarmiracle\/wp-json\/wp\/v2\/users\/68"}],"replies":[{"embeddable":true,"href":"https:\/\/www.etrafficlane.com\/60dollarmiracle\/wp-json\/wp\/v2\/comments?post=4693"}],"version-history":[{"count":0,"href":"https:\/\/www.etrafficlane.com\/60dollarmiracle\/wp-json\/wp\/v2\/posts\/4693\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.etrafficlane.com\/60dollarmiracle\/wp-json\/wp\/v2\/media?parent=4693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.etrafficlane.com\/60dollarmiracle\/wp-json\/wp\/v2\/categories?post=4693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.etrafficlane.com\/60dollarmiracle\/wp-json\/wp\/v2\/tags?post=4693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nThe first plain weight of Cutoff was designed in 2005 to be used in Miele, an independent Italian free magazine. The need was for an elegant, unusual and legible semi-serif with contemporary flavour. I was fascinated by the deconstructivist work of Jeff Keedy (Hard Times Thick), Phil Baines (Can You, You Can) and Otl Aicher (Rotis), so my aim was to get the feeling of a cut transitional typeface; at the same time felt the exigence to work on the whole shape of the glyphs, in order to soften the \u201c90s deconstructivist\u201d effect and obtain a more balanced and readable design.
\nIn the last years I further worked on the typeface adding the other styles, extending the character set and refining the letterforms. Finally the precious collaboration with URW++ brought in 2010 to a complete OpenType Pro font family, with multilingual and advanced typographic features.
\nFulvio Bisca, July 2010<\/i>\n <\/p>\n
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![Wallpaper 1920×1200<\/a> created with Patrick Griffins (Canada Type) revival, repair and expansion of Thomas Hollingworth\u2019s \u00bbInformal Gothic\u00ab, the fashionable, square \u00bb](\"http:\/\/farm3.static.flickr.com\/2179\/3529288126_fd96ac7c15_o.png\"){kind=link}