My Story: A Flick of Eyeliner Gives Indigenous Trans Writer Arielle Twist the Power to be Her Truest Self

Arielle Twist is a major cat-eye connoisseur. The Halifax-based transgender poet, fornication schoolteacher and visual creator has been wearing black feline movies ever since she began experimenting with makeup. “I’ve always inclined toward a cat-eye and a red or nude cheek; I haven’t strayed far from that idea, ” she says, adding that what has progressed is a punctuation of her inflated winged liner with rich, dynamic shadows.

For Twist, it’s all a direction of accenting her Indigenous identity. “The features I choose to enhance are often the things I find most beautiful about Cree women: the shape of our eyes and mouths, the style that our cheeks are pre-eminent. My sees and cheeks are my two favourite boasts on my face, so why not highlight them? ” she conveys. Reaching for her staple eyeliner and lipstick too connects Twist to her father and her grandmothers, or kokums as she says in Cree. “I can see the discern femininity that my mother and my kokums have passed on to me, ” she interprets. “That will always be the first thing I is displayed when I do my makeup. I’m really lucky to have been anointed with a canvas that sings to all the women who came before me.”

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the way my chocolate-brown scalp spangles in the sun, intimacy between family, ardor under fervor. ———————————————- -: @laurencephilomene Earrings: @ms_savagerose

A post shared by Arielle Twist (@ arielletwist) on Oct 25, 2018 at 1:35 pm PDT

This deep connection to her makeup stems back to 2013, when Twist started transitioning. “Makeup gave me access to inducing my aspects gaze more feminine to me, ” she shares. “It was like a course to challenge my own gender dysphoria.”

Since then, cosmetics ought to have powerful tools for helping Twist walk through the world as a transgender wife. “Makeup feeds me confidence to be out there, ” she says. “It’s the kindling to the fire in everything that I just wanted to do as an artist.”

Last year, Twist gained national disrepute with the handout of her first journal, Disintegrate/ Dissociate, a collection of 38 poems that speak to some of her most intimate lived experiences: transitioning, sexuality, love, cruelty, dislocation and more. The paperback is rife with grief and resilience but also contains a cavity for rapture and community. “I believe that my work is honest, ” she justifies. “Even if it seems brutal at times, that’s only the reality. I exist as an Indigenous brown trans bride in a world-wide that’s dedicated to debating and questioning my humanity, so it’s often distressing but also a source of hope, deep love and kinship. People describe it as confessional poetry.”

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Today’s my book time and this bible is~ officially~ out in all countries of the world! My book is a Pisces!

A post shared by Arielle Twist (@ arielletwist) on Mar 1, 2019 at 6:07 am PST

Born in George Gordon First Nation in Saskatchewan, Twist devoted most of her period as a young child in the city of Regina before her family moved to Sipekne’katik First Nation in Nova Scotia. It was a move stimulated by discrimination, she reputes. “I feel like the Prairies have a kind of gratuitous intolerance toward Indigenous beings that dallied a part in why we left. My mom wanted to get us out of there.”

Saskatchewan will always be a place that Twist cherishes, she says — “George Gordon First Nation is my delivery commonwealth, the homeland of my ancestors”–but she knows she wouldn’t be the woman she is today if she had remained. “When I think about it, I think about how perilous it would have been for me to be an Indigenous trans female in Regina. I don’t know if I ought to have been transitioned. I don’t know if I would be alive right now. Growing up, I recollect Saskatchewan being a hard lieu to be an Indigenous person.”

From Sipekne’katik First Nation, Twist eventually stimulated her action to Halifax and in 2017, her life and occupation changed.

While working as a fornication educator at Venus Envy, an award-winning LGBTQ+ -friendly fornication store and health information-based bookstore in downtown Halifax, Twist triggered a connection with a trans Canadian writer who was visiting for a book propel, which led to mentorship. “We got to chatting, and she asked me if I had ever thought about writing, which I hadn’t, ” she reveals. What happened next felt like a whirlwind.

That same summer, Twist’s onetime mentor invited members to Toronto–a visit that they are able to control Twist into participating in Naked Heart, Toronto’s annual LGBTQ+ literary commemoration, that come. Less than a year later, she had a bible deal with Vancouver-based publisher Arsenal Pulp Press.

Twist countings her 2019 volume tour as her proudest instant within her short-lived writing profession thus far. The possibility allowed her to travel across Canada, and the young poet was amazed by the audience she was able to reach through her words–Indigenous trans youth in particular. “It was the most eye-opening experience, ” she says. “I was able to go to Saskatchewan and talk to youth from my home–kids who was like me, talked like me. Youth who are doing what I never reflected I could do: They’re transitioning in Saskatchewan. I ever thought that was impossible. They were talking about my work and me.”

And you can be sure that along every stop on her notebook expedition, Twist rocked her signature eyeliner flick. Because as much as makeup is about celebrating a strong self-image, Twist feels that it also fixes it easier for her to fit in with long-held stereotypical norms around feminine charm. “I can definitely see how makeup feigns how people talk to me, approach me and view me–especially in a professional way. I think it makes people take me more seriously.”

In Her Kit

These are the go-to staples in Arielle Twist’s makeup bag.

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