Từ chúng tôi’ đến bán thân: H Bài học rút ra từ phòng vé cuối tuần của Bonkers

Posted On Apr 27, 2019 Qua quản trị viên Với Comments Off

It’s been a strange few months at the box office: After a record-setting 2018, Hollywood devoted the early months of this year nervously watching the numbers cease, and enduring the crash-and-burn secretes of such franchise entries as The Lego Movie 2 and Happy Death Day 2 U, both of which underperformed. But a passage of recent reaches, including Us and Captain Marvel, have not only brought back audiences, they’ve also challenged some of the running conventional wisdom. Now are some key takeaways from a year that’s been deviating from the norm.

1. Halloween is now a year-round anniversary.

In February 2017, writer-director Jordan Peele’s social-issue shocker Get Out opened at more than $33 million–a remarkable representation for a mid-winter fright-flick. A little more than a year later, in April 2017, the chatter smothering A Placid Place cured that slow-burn cruelty legend stay in the box-office top 10 for nearly 2 month. Now we’re living in the Us-weekly era: Peele’s latest conversation-starter has already burned past the $100 million celebrate in the U.S ., making about $33 million this past weekend alone, and all but guaranteeing that the modestly planned film–which payment a reported $20 million–will end up as one of the year’s biggest thumps. Some of that Us tally, of course, comes from moviegoers who are so tethered to the film’s twists and layered clues that they’re already hastening out to see it again. But the film’s success too testifies that the late-winter months have become a reliable hunting anchor( or is it recurring ground ?) for the kind of high-minded, franchise-free shocking movies that are commonly do best in the summer and descent. Inspect for more upscale-shockers to populate February, Bước đều, and April in the years to come.

2. Faith-based cinemas aren’t dead.

Christian-aimed movies have long cheated the mainstream: Every few months, a seemingly out-of-nowhere faith-based movie enjoys a significant opening weekend, leading to all sorts of head-scratching responses and trend-spotting commodities. But this weekend’s $6.1 million presenting for the anti-abortion theatre Unplanned was unexpected for various reasonableness: Not only was the cinema slapped with an R-rating, ostensibly slamming out younger onlookers, but ads for the movie were reportedly rejected by various key cable networks( the committee is also didn’t help that its official Twitter account was briefly and inexplicably suspended over the weekend ). And while the film’s studio, Pure Flix, has enjoyed such thumps as 2016′ s God’s Not Dead 2, the company’s more recent cinemas have struggled to make it past the$ 5 million label( last year’s Indivisible was one of the lowest-grossing freeings in Pure Flix’s history ). Unplanned benefited from a largely grassroots sell safarus, and was bolstered by theaters in the Midwest and South, where it played peculiarly well: According to The Hollywood Reporter, the movie’s highest-grossing passage came kindnes of an AMC in Dallas-Fort Worth. With more theaters slated to add the film on April 5, as Lent is underway, expect the calmly controversial Unplanned to become one of the year’s quieter success stories.

3. Captain Marvel is cooler than Spider-Man AND Thor.

Despite what a few trolls might have hoped, Captain Marvel was always destined to be a luminary: Not simply does the’ 90 s-set film star the well-liked Brie Larson and Samuel L. Jackson, but the movie serves as a crucial build-up to this month’s Avengers: Endgame. Yet you’d have to possess Thanos-like supremacies to have is anticipated that, thanks to this last weekend, the movie would now be soaring toward a egregious of $ 1 billion worldwide .~ ATAGEND That’s a mark that outran such recent Marvel hittings as Spider-Man: Far From Home as Thor: Ragnarok. At this proportion, Captain Marvel is likely to end up as one of the biggest crushes in Marvel history–which, bearing in mind the fact that the specific characteristics was predominantly an unknown to mainstream moviegoers, represents its success a Flerken miracle. That bodes well for the studio, which has in-the-works cinemas on such new-to-the-screen courages as Shang-Chi and Eternals.

4. Even a Disney movie can fall on deaf ears.

With its $45 million haul and first-place present, Disney’s recent remaking of Dumbo is hardly donezo. But the movie does stigmatize a uncommon misfire for the studio, which has turned past animated classics such as Beauty and the Beast, The Jungle Book, and Cinderella into hits.( It’s also a ding for director Tim Burton, whose Alice in Wonderland remake was a billion-dollar international pop TRONG 2010 ). Perhaps the movie, which expense an estimated $170 million, didn’t connect with younger audiences who hadn’t seen the attractiveness 1941 original; perhaps adults were uneasy about taking kids to see one of the most famously depressing Disney legends ever built. And while Dumbo’s meagre manifest are most likely reach some studio execs excitable, don’t you cry for Disney: This July will see the liberate of its brand-new Lion King adaptation, which is widely expected to rule the summer.

5. A months-old movie can still be a box-office champ.

Though its range is now finally gale down, Nonconformist Rhapsody–the Oscar-winning Queen biopic that’s been available to rent since early February–has enjoyed a impressive five-month be participating in theaters, curing it attain more than $200 million in the U.S. alone. Such prolonged sprees are rare nowadays, but Bohemian has been a boon to theater-owners, as followers spent the winter registering up for the second largest or third sees( one Los Angeles couple met it upwards of 20 seasons .) It supports that, even in an period when movies show up on iTunes or Amazon with illuminating move, a catchy film is available to manage to go on and on and on…